The work of Stephanie Dedalus (the artistic practice of Mengtong Zhang) repairs a certain subjecthood found in existing objects to enquire how subjective experience twists objective reality. Scorched by the ideal and the unattainable, her soliloquy scrutinises tragicomic self-reflexivity attempting to inscribe new knowledge to the cannibalised residues of our consumed, fetishised, and traded time.
The work of Stephanie Dedalus (the artistic practice of Mengtong Zhang) repairs a certain subjecthood found in existing objects to enquire how subjective experience twists objective reality. Scorched by the ideal and the unattainable, her soliloquy scrutinises tragicomic self-reflexivity attempting to inscribe new knowledge to the cannibalised residues of our consumed, fetishised, and traded time.